Meter - a measure of rhyme; the unit of meter is the foot Metrical lines are named for the number of feet in a line. Pause - intervals between syllables of verse. Stress - special emphasis on a word, syllable, or phrase with a line of verse. Versification - in regard to meter and rhyme, versification is the art of writing verses.
Imagery - to evoke a mental image sometimes emotional , figurative language.
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Irony - expression of words used to convey an opposite meaning from the usual sense. Metaphor - a term used to treat two things that are not the same as equals such as "The universe is God's playground". Oxymoron - the joining of two words that seem to be contradictory opposites , but offer a unique effect such as living deaths, freezing fires, deafening silence, and pretty ugly.wagekywyxily.ml
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Personification - a form of metaphor where an inanimate object, animal, or idea is given human-like characteristics such as "Night swallowed the sun's last ray of light". Prose - ordinary or plain everyday language used in speech or writing with no patterns or rhymes. Pun - a play on words that sound similar for a humorous effect. Repetition - a repeating sound, line, syllable, etc.
Simile - a comparison between two unlike things using like or as, etc. Alexandrian - a line of poetry 12 syllables or 13 if the last syllable is unstressed consisting 6 iambic feet. And music in his ears his beating heart did make. Then some one said, "We will return no more";. Is far beyond the wave; we will no longer roam. Music that brings sweet sleep down from the blissful skies. And in the stream the long-leaved flowers weep,. And from the craggy ledge the poppy hangs in sleep. While all things else have rest from weariness?
All things have rest: why should we toil alone,.
25 Dark Poems for When You Want to Explore the Shadows
Why should we only toil, the roof and crown of things? Ripens and fades, and falls, and hath no toil,. All things have rest, and ripen toward the grave. Give us long rest or death, dark death, or dreamful ease. How sweet it were, hearing the downward stream,. To dream and dream, like yonder amber light,. Which will not leave the myrrh-bush on the height;.
Two handfuls of white dust, shut in an urn of brass! And their warm tears: but all hath suffer'd change:. For surely now our household hearths are cold,. And we should come like ghosts to trouble joy. Have eat our substance, and the minstrel sings. And our great deeds, as half-forgotten things.
There is confusion worse than death,. And eyes grown dim with gazing on the pilot-stars. How sweet while warm airs lull us, blowing lowly. From cave to cave thro' the thick-twined vine—. Only to hear and see the far-off sparkling brine,.
Shadowy Poetry and the Night
Only to hear were sweet, stretch'd out beneath the pine. Free download. Book file PDF easily for everyone and every device. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Moloch the heavy judger of men! From India: Food, family and tradition?
Beyond The Zone Of Comprehension. OED 1,2. And darkly bright, are bright in dark directed. Then thou, whose shadow shadows doth make bright, Then you, whose shadow alone is sufficient to illuminate the shadowy form of others. The contrast is between shadow and substance, which in neo-Platonic doctrine corresponded roughly to the distinction between body and soul. Thus 'How wondrously would your form, the real you, from which your shadow is derived, how wondrously would it create form a blessed display of you and of the world around you '.
To the clear day with thy much clearer light, with thy much clearer light - in contrast to the dullness of all the shadowy lifeless things surrounding you, your clear light would outshine the day. When to unseeing eyes thy shade shines so! Since your shade shadow shines so, for that is what my eyes create when they see you in sleep. How much more brilliant would be the real you could I but possess it. How would, I say, mine eyes be blessed made The argument is re-stated, but with emphasis now on the poet himself, rather than those other shades the rest of the world who might be illuminated by the youth's presence.
By looking on thee in the living day, In contrast to seeing you in my dreams at night.
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