Queer (The Poetry of Michael OMarah Book 1)


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Interior is little worn in good condition. Private name stamped on the title page, unmarked text, secure binding. Faint dusty marks on page edges externally. Spine is rubbed. The band is based on an important rule of the arrangement of feet, using two metres: the prevailing hazag the trilling and ramal the running , and moving freely from one rhyme to another. Hemistichs in the band are not equal with regard to the length and the number of feet.

Generally, the changes in the Iraqi band concerned the form, while the subjects remained traditional, reflecting the socio-cultural situation of the 17th century. Book Description: Macmillan of Canada, Condition: Good. Clean, firmly bound interior with unmarked text, free of inscriptions and stamps.

No foxing, no age-spotting. Storage and handling marks on page edges externally. Cover shows shelfwear, rubbing to edges, three yellowed areas with scuffing on the front panel faintly showing also inside the cover , faint grubby marks. Two long creases and a tiny cosmetic puncture on spine not affecting the binding. His first collection of comparative essays was hailed in 'Saturday Night' as demonstrating "that a critic can actually enhance the literature he is studying". In The New Hero, Ronald Sutherland, novelist, critic, essayist, teacher, and scholar, surpasses his earlier achievement.

These new essays serve to corroborate the conclusion of his earlier work, that English-speaking and French-speaking Canadians have a great deal in common and that their respective writings reveal a spectrum of shared values and attitudes. In this new work the similarity is highlighted by Sutherland's discovery that a 'new hero' has emerged in Canadian letters. This 'new hero', who has 'lurked' in the work of earlier writers, has now 'exploded from the pages' of contemporary Canadian fiction in both languages.

Writing in a style that is urbane and wise, witty and spritely, Professor Sutherland casts widely in these essays, and draws the net of his unique perception and intellect tightly around his theme. This book is a literary delight - full of incisive and startling observations on the culture, history, and writing of all Canada.

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Book Description: Bloomsbury Academic, A gentle crease to the upper outer corner of the front cover and first few leaves, a short horizontal crease to spine ends, else very good. Book is clean and bright with unmarked text, free of inscriptions and stamps, firmly bound. Does their English betray the presence of another language, is that other language erased, or does it appear here and there, on special occasions for special reasons? Do words and meanings wander from one language and one self to another? Do the psychic and cultural worlds of different languages split apart or merge?

What is the aesthetic effect of such wandering, splitting, or merging? Usually described as? Wanderwords asks what, in the memoirs, poems, essays, and fiction of a variety of twentieth and twenty first century writers, the function and meaning of such language migration might be. It shows what there is to be gained if we learn to read migrant writing with an eye, and an ear, for linguistic difference and it concludes that, freighted with the other-cultural meanings wrapped up in their different looks and sounds, wanderwords can perform wonders of poetic signification as well as cultural critique.

In so doing, a poetics of multilingualism unfolds that stretches well beyond translation into the lingual contact zone of English-with-other-languages that is American literature, belatedly re-connecting with the world. Gently used copy remains clean, bright, tight. Unmarked text, uncreased spine. Book Description: Ossolineum, Scarce French-language paperback, published in a limited scholarly edition of copies.

Weight: 0. A mildly used, attractive copy with little wear. Interior shows a hint of ageing, remains clean, with unmarked text and tight binding. Gentle external scuffing, faint wear to outer page edges, faint dusty marks. NOT ex-library. Clean and bright interior with unmarked text and tight binding. Unbroken spine, free of vertical creases. Gentle scuffing to cover edges, handling wear to tips of corners.

Book Description: Wroclaw University Press, Hardcover, pages, NOT ex-library. Fine, bright, unmarked interior. Free of inscriptions and stamps, firmly bound. Moderate age-spotting on page edges externally; gentle scuffing to board edges. Zum Anteil der Frauen an der literarischen Kultur Schlesiens im Jede Gruppe wurde mit einer kurzen biographischen Notiz zur Verfasserin eingeleitet. Book Description: Manchester University Press, No Jacket. Missing the dust jacket. A university library withdrawal with an external stamp on upper and lower outer page edges and an inventory number on upper outer edges; internal markings on front blank endpaper a label, stamp and due-date slip.

The slip indicates the book was never checked out looks uncirculated too. Interior shows minor signs of handling and mild age-toning to endpapers, else clean and bright throughout, with unmarked text, sharp uncreased corners and firm binding. Boards with gentle wear, a darkened rectangle around the lower spine indicative of a removed label.

War novels are defined here as works in which 'the war is essential to the generation and resolution of the major conflicts and oppositions of the narrative", and, in addition to novels, the author examines literary journals and short stories of the period. The study is divided into three parts. The Hitlerian enemy was clearly defined and was often seen as a variant of the Prussian and Germanic aggressor. The stamping of boots on French streets is a sound as representative of the occupying forces as the sound of German or of rudimentary French being spoken.

Atack shows that in a few subtler and more complex works, such as Vercors's "Le silence de la mer", it was Nazi ideology, rather than German culture or the German people as a whole, that was identified as the enemy. Claude Morgan's "La marque de I'homme" was another work that presented the Occupation as a tragic break with German civilization and and culture. Novelists generally wished to cement and unify the opposition. Atack provides brief plot summaries and analyses of a wide range of novels, many of which are little known, and all of which attempt to present the positive values of the Resistance and to denounce the lies and half-truths of the official discourse.

External wear faint grubby marks on lower outer page edges, creased spine, creasing to cover corners, scuffing to cover edges, shelfwear. Faint grubby marks to lower edge of a portion of leaves. Else clean and untanned interior with unmarked text. Gentle wear to tips of page corners. Interior shows limited mild wear to tips of corners, else very good: clean, with unmarked text and firm binding.

They include examples fairly evenly distributed in time: accounts of battles in Scotland and Ireland, the Netherlands and France, Malta and Hungary, Russia and New England; pamphlets drawn from letters written by Englishmen, or pamphlets written by a variety of continental Europeans, both Protestant and Catholic; accounts of battles, sieges, and extended campaigns. They include pamphlets by the four most famous literary contributors to the genre: George Gascoigne, Thomas Churchyard, Anthony Nixon, and Hugh Peters, as well as reports of some notable historical events: the siege of Malta , the sack of Antwerp , the battle of Ivry , and the battle of Kinsale These news pamphlets provide examples of Renaissance English print culture, and register both the popular English interest in military and foreign news and the ability of the press to satisfy this interest.

Moreover, military news pamphlets were a considerable proportion of the entire corpus of news pamphlets in the 16th and 17th centuries, and integral in the evolution of the modern news. The reports, which register the shifting diction of Renaissance English and deploy a variety of novelistic techniques, also illustrate the transformation of early modern English prose and the prehistory of the novel.

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Highly rhetorical in structure, they demonstrate the link between medieval and Renaissance rhetorical practice and early modern and modern journalistic style. The reports also provide a window into the everyday life of Renaissance soldiery and the world of Renaissance warfare on land.


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Finally, these pamphlets are fun to read. They are funny, vivid, insightful and appalling; generally marked by a high level of readability and written in a gripping style. Hereafter ensue the trewe encountre ; 2. The late expedicion in Scotlande ; 3 A. Certayn and tru good nues, from the syege of the isle Malta , B. Newes from Vienna ; 4. Discourse of such things as are happened in the armie of my lordes the princes of Nauarre, and of Condey ; 5.

The spoyle of Antwerpe ; 6. A plaine or moste true report of a daungerous seruice ; 7. The true reporte of the prosperous successe which God gaue vnto our English souldiours ; 8. A discourse and true recitall of euerie particular of the victorie obtained by the French king, on Wednesday the fourth of March, being Ashwednesday ; 9. The trve reporte of the seruice in Britanie ; A letter from a souldier of good place in Ireland ; Swethland and Poland warres ; A iovrnall or daily register of all those warlike atchieuements which happened in the siege of Berghen-vp-Zoome ; Digitvs Dei, or good newes from Holland ; A true relation of the late battel fought in New England Book Description: Brill Academic, No dust jacket, interior in good condition, limited external staining to boards.

Mild gentle age-toning to pastedowns and endpapers. Light gentle internal creasing; small black offset marks in side margin of p. Unmarked text, nice firm binding, clean and bright outer page edges. Upper section of front board above the author's name shows dark staining, not affecting the inner panel.


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Gilt lettering on spine and front board appears intact. Hameliz The Search for a Program; V. A clean and nice copy with bright pages and unmarked text. Cover gently shelfworn showing small marks and light scratches, a bit of scuffing to edges. Price blacked out on rear panel. Gentle dusty storage marks on lower page edges externally. Dust Jacket Condition: Good. Gently used copy in little worn condition. Interior is clean, bright, untanned, with few small marks from reading, unmarked text: no writing, no highlighting of any kind.

Cary Grant

Light wear to tips of page corners; clean outer page edges. Firm secure binding throughout. Dust jacket untorn, showing light shelfwear, small creases to corners. From the great public performances at York and Chester, to the private collection of the Towneley MS, the plays were an index of the spiritual and social concerns of a sizeable section of urban English people.

This book sets out to examine historical, theological and textual evidence of those concerns. It proposes that the plays' agenda, while irrefutably orthodox, reflected a lay spirituality which was not always in accord with the disciplines of the medieval church. The plays provided a means for the expression of the spiritual needs of an increasingly self-aware and economically important laity.

The book places significant emphasis on textual close reading, and balances the mnemonic simplicity of the church's syllabus for the laity against the richness of the play texts. It examines the records of the guilds and fraternities responsible for some of the plays, and considers whether, in the light of their other activities, the main audience for the plays may have been the members themselves, rather than a wider public.

Condition: Fine. Clean and tight copy with unmarked text, appears unread. Minor wear only. Kraus zu Th. Scheichel: Die Erben des Onkels Kraus. Die Deutschen in den Satiren von C. Merz und H. Book Description: H. Andersen Priskomite, Odense, A clean and bright copy with unmarked text, free of inscriptions and stamps. Book Description: Silesia University Press, A fine unread copy. Cover gently shelfworn showing faint marks and fine scratches, a hint of edgewear. Price blacked-out on rear panel. The tissue of the Third never ceases to grow through sameness and alterity.

Reified as presence, as the Other of the Other, gaze, friendship, memory, partner, judge, etc. I had to get rid of them and wipe the slate clean. Grant was married five times. They considered marriage and vacationed together in Europe in mid, visiting the Roman villa of Dorothy di Frasso in Italy, but the relationship ended later that year. This proved to be his longest marriage, [] ending on August 14, Grant married Dyan Cannon on July 22, , at Howard Hughes' Desert Inn in Las Vegas, [] and their daughter Jennifer was born on February 26, , his only child; [] he frequently called her his "best production".

My life changed the day Jennifer was born. I've come to think that the reason we're put on this earth is to procreate. To leave something behind. Not films, because you know that I don't think my films will last very long once I'm gone. But another human being. That's what's important. Grant and Cannon divorced in March Grant was hospitalized for 17 days with three broken ribs and bruising. Grant had a brief affair with actress Cynthia Bouron in the late s. Two days after this announcement, Bouron filed a paternity suit against him and publicly stated that he was the father of her seven-week-old daughter, [] [aa] and she named him as the father on the child's birth certificate.

On April 11, , Grant married Barbara Harris, a British hotel public relations agent who was 47 years his junior. They became friends, but it was not until that she moved to live with him in California. Grant's friends felt that she had a positive impact on him, and Prince Rainier of Monaco remarked that Grant had "never been happier" than he was in his last years with her. Grant was at the Adler Theater in Davenport, Iowa , on the afternoon of November 29, , preparing for his performance in A Conversation with Cary Grant when he was taken ill; he had been feeling unwell as he arrived at the theater.

Basil Williams photographed him there and thought that he still looked his usual suave self, but he noticed that he seemed very tired and that he stumbled once in the auditorium. Williams recalls that Grant rehearsed for half an hour before "something seemed wrong" all of a sudden, and he disappeared backstage. Grant was taken back to the Blackhawk Hotel where he and his wife had checked in, and a doctor was called and discovered that Grant was having a massive stroke, with a blood pressure reading of over Grant refused to be taken to the hospital.

The doctor recalled: "The stroke was getting worse. In only fifteen minutes he deteriorated rapidly. It was terrible watching him die and not being able to help. But he wouldn't let us. Luke's Hospital. Cary Grant was supposed to stick around, our perpetual touchstone of charm and elegance and romance and youth. McCann notes that one of the reasons why Grant was so successful with his film career is that he was not conscious of how handsome he was on screen, acting in a fashion which was most unexpected and unusual from a Hollywood star of that period.

He wasn't a narcissist, he acted as though he were just an ordinary young man. And that made it all the more appealing, that a handsome young man was funny; that was especially unexpected and good because we think, 'Well, if he's a Beau Brummel, he can't be either funny or intelligent', but he proved otherwise". Grant's appeal was unusually broad among both men and women. Pauline Kael remarked that men wanted to be him and women dreamed of dating him.

She noticed that Grant treated his female co-stars differently than many of the leading men at the time, regarding them as subjects with multiple qualities rather than "treating them as sex objects". Philip T. Hartung of The Commonweal stated in his review for Mr. Lucky that, if it "weren't for Cary Grant's persuasive personality, the whole thing would melt away to nothing at all". James saw Grant as a "new and very important symbol", a new type of Englishman who differed from Leslie Howard and Ronald Coleman, who represented the "freedom, natural grace, simplicity and directness which characterise such different American types as Jimmy Stewart and Ronald Reagan", which ultimately symbolized the growing relationship between Britain and America.

McCann notes that Grant typically played "wealthy privileged characters who never seemed to have any need to work in order to maintain their glamorous and hedonistic lifestyle. He believes that Grant was always at his "physical and verbal best in situations that bordered on farce". He remarks that Grant was "refreshingly able to play the near-fool, the fey idiot, without compromising his masculinity or surrendering to camp for its own sake. I played at being someone I wanted to be until I became that person, or he became me". Grant often poked fun at himself with statements such as, "Everyone wants to be Cary Grant—even I want to be Cary Grant", [] and in ad-lib lines such as in His Girl Friday : "Listen, the last man who said that to me was Archie Leach, just a week before he cut his throat.

Biographers Morecambe and Stirling believe that Cary Grant was the "greatest leading man Hollywood had ever known". On being presented with the award, his friend Frank Sinatra announced: "No one has brought more pleasure to more people for so many years than Cary has, and nobody has done so many things so well". Grant was awarded a special plaque at the Straw Hat Awards in New York in May which recognized him as a "star and superstar in entertainment". He was invited to a royal charity gala in at the London Palladium. In , Grant was accorded the Kennedy Center Honors.

From to , Grant starred in over seventy films. From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 26 September For the voice coach and TV presenter, see Carrie Grant. English-born American actor. He had such a traumatic childhood, it was horrible. Doing stand-up comedy is extremely difficult. Your timing has to change from show to show and from town to town. You're always adjusting to the size of the audience and the size of the theatre.

See also: Cary Grant on stage, radio and screen. Of course I think of it. But I don't want to dwell on it I think the thing you think about when you're my age is how you're going to do it and whether you'll behave well. Once he realized that each movement could be stylized for humor, the eyepopping, the cocked head, the forward lunge, and the slightly ungainly stride became as certain as the pen strokes of a master cartoonist. No other man seemed so classless and self-assured Main article: Cary Grant on screen, stage and radio. There is no genealogical evidence available about his possible Jewish ancestry, however.

He donated considerable sums to Jewish causes over his lifetime. He had developed gangrene on his arms after a door was slammed on his thumbnail while his mother was holding him. She stayed up night after night nursing him, but the doctor insisted that she get some rest—and he died the night that she stopped watching over him. Grant was rejected, and informed that his neck was "too thick" and his legs were "too bowed".

It doesn't sound particularly right in Britain either". Schulberg agreed the name "Cary" was acceptable, but was less satisfied with "Lockwood" as it was too similar to another actor's surname. Schulberg then gave Grant a list of surnames compiled by Paramount's publicity department, out of which he chose "Grant". The boy replied, "Oh, that's Cary Grant. He's making [ Madame ] Butterfly with Sylvia Sidney". West then retorted, "I don't care if he's making Little Nell. If he can talk, I'll take him.

The press continued to report on the turbulent relationship which began to tarnish his image. The part gave him a dimension to play with and he took it headlong. He never flaws in the moving, pathetic, but inspiring behavior of a man whose career seems ruined by an accident but comes back through a mental hell, by virtue of love and the saving ruses of friendship. His acting here lifts him definitely above his prior standing.

Bosley Crowther wrote: "It is simply a concoction of crazy, fast, uninhibited farce. This sort of thing, when done well—as it generally is, in this case—can be insanely funny if it hits right. It can also be a bore.

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He was a very agreeable human being, and we were very compatible Nothing ever went wrong. He was so incredibly well prepared. I never know anyone as capable". I was very affectionate with Cary, but I was 23 years old. I couldn't make up my mind to marry a giant from another country and leave Carlo. I didn't feel like making the big step. She valued his friendship". The basis of these suits was that he had been cheated by the respective company. Most were described as frivolous and were settled out of court.

A proposal was made to present him with an Academy Honorary Award in ; it was vetoed by angry Academy members. The proposal garnered enough votes to pass in It is believed [ by whom? He questioned "are good looks their own reward, canceling out the right to more"? She recalls that he once said of Robert Redford : "It'll be tough for him to be awarded anything, he's just too good looking".

British Film Institute. Archived from the original on June 15, Retrieved June 15, Wigley, Samuel January 13, American Film Institute. Hunsaker, Andy July 5, Retrieved March 17, Immigration History". New York Public Library. Archived from the original on April 15, The Sydney Morning Herald. October 18, Archived from the original on March 3, Retrieved October 14, Glenside Museum. Retrieved December 23, Modern Screen. Dell Publications: Retrieved June 17, Turner Classic Movies. Archived from the original on November 16, Retrieved November 16, Academy of Motion Picture Arts and Sciences.

March 16, Archived from the original on June 7, Retrieved June 7, The New Yorker. Archived from the original on June 9, Retrieved June 9, Archived from the original on April 2, Retrieved April 2, December 31, The Atlantic. Archived from the original on April 9, Retrieved April 9, Rotten Tomatoes. Archived from the original on June 10, Retrieved June 10, The Guardian.

Archived from the original on June 13, Retrieved June 6, Time Inc. May 13, The New York Times. Caster at Strand". Time Out. Archived from the original on June 16, New York Post. Archived from the original on June 11, Retrieved June 11, CineAction Collective. Crowell-Collier Publishing Company. July October 11, F-R Publishing Corporation. Archived from the original on June 14, January 12, Leonard Maltin's Movie and Video Guide.

Retrieved June 5, New Yorker Magazine, Incorporated. August Emmis Communications. December The Dallas Morning News. Retrieved June 9, — via Carygrant. June 27, Archived from the original on June 12, Retrieved June 12, August 7, Archived from the original on April 22, October 27, Gentleman's Gazette.

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Retrieved June 16, The Daily Telegraph. Archived from the original on June 17, Retrieved August 24, December 18, August 19, Los Angeles Times. Retrieved June 8, Retrieved May 21, The Washington Post. May 26, Archived from the original on January 28, Retrieved January 27, Barbara Grant Jaynes: He lived in this country from when he was 16 years old He also became an American citizen in Galley Press. Entertainment Weekly.

Retrieved March 13, Montreal Gazette. December 1, Windsor Star. March 22, Archived from the original on September 24, October 20, The San Bernardino Sun. Retrieved June 15, — via Newspapers. December 2, Retrieved August 22, Vanity Fair Number : July 27, Archived from the original on April 4, Retrieved April 12, CBS News. Retrieved June 14, Retrieved December 15, Art and the Public Realm Bristol.

Retrieved December 8, Archived from the original on December 13, Archived from the original on October 10, Retrieved October 10, Barsanti, Chris November 18, Adams Media. Benshoff, Harry M.

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ECW Press. Botto, Louis; Viagas, Robert At This Theatre. Hal Leonard Corporation. Braun, Eric January Frightening the Horses: Gay Icons of the Cinema. Bubbeo, Daniel October 15, Chandler, Charlotte February 20, Simon and Schuster. Chandler, Charlotte December 9, Chase, John Clear, Rebecca D. Jazz on Film and Video in the Library of Congress.

Coffin, Lesley L. September 11, Connolly, Kieron March 16, Dark History of Hollywood: A century of greed, corruption and scandal behind the movies. Amber Books Ltd. Crouse, Richard Reel Winners: Movie Award Trivia. Deschner, Donald The Complete Films of Cary Grant. Citadel Press. Donnelley, Paul Drury, Jack Fort Lauderdale: Playground of the Stars. Arcadia Publishing. Eliot, Marc Cary Grant: A Biography. New York: Crown Publishing Group. Erickson, Hal August 7, Esquith, Rafe August 18, Penguin Books. Fells, Maurice July 15, The Little Book of Bristol. History Press Limited.

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