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The dust jacket is missing. Now, start thinking about what point of view you want to use for your book. Most stories spark with a character who may end up becoming your main character. The high-concept blurb is a tantalizing sentence—or a short paragraph with up to four sentences one or two is ideal —that sums up your entire story, as well as the conflicts, goals and motivations of the main character s.
Most authors start strong because the idea that initially fascinates them guides them through this first portion of the sequence naturally. A story spark is something intriguing that ignites a story scenario and carries it along toward fruition. A story spark must infuse and re-infuse the story, and a new one must be injected at certain points in order to support the length and complexity of the story. Most novels up to 75, words have three story sparks: one for the beginning, one for the middle and one for the end.
The beginning spark sets up the conflict. The middle spark or possibly more than one middle spark complicates the situation. Finally, the end spark resolves the conflict and situation. Short stories, flash fiction and novellas usually have only one or two sparks beginning and ending.
All of these sparks absolutely must be cohesive to ensure a solid story. The more sparks you include, the longer and more complex your book will be. With that in mind, a story of more than 75, words may have an excess of three basic sparks, especially in the middle, because a longer story needs complexity to sustain it. A middle story spark can appear anywhere after the beginning one—before the end—though it usually appears somewhere toward the halfway mark of the book.
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You might also make a note about where you want to place the extra spark s. In general, extra sparks should come in the beginning or middle of the book. Starting with focused action and back story is the best way to do it. Then, dribble more in when the story is capable of accepting it in the middle. In your quest to form a cohesive story plan, sit down and figure out the working details which may—and should—evolve throughout the progression of the story. If you have no idea who your main characters are, chances are this particular story needs a lot more brainstorming.
Even if your story is more plot than character oriented, brainstorming on your characters until you can fully envision them—i. In this section of the checklist, simply list the names of the main characters. The introduction of a character in the Story Plan Checklist is a springboard into finding out more about him. Some of these could and should be carefully selected occupational skills, but most will go far deeper than that.
Although this kind of description can include physical appearances, it should always incorporate impressions made by your characters upon the ones around them. Or your summary can simply encompass the most basic impressions without ascribing them to the person offering them.
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Very few people describe themselves the same way others do. That makes it even more important for main characters to describe themselves, because the reader gets a strong sense of who your players are with both outside and inside descriptions. In essence, these are like mini first-person profiles. The characters talk about themselves, and sometimes give their impressions of others.
Especially in a work of fiction, what the characters do is pivotal to their personalities and motivations. Just about everything hinges on these interests, hobbies or jobs. In the best-case scenario, his skills will connect to both in some way. Enhancements are the subtle, balanced or extreme elements that complement what the writer has already established as traits for that character.
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Enhancements are personality traits that make a character uniquely larger than life. In the fictional world, an author may present a hero who seems ordinary at first glance, but something makes him stand apart. This something may not be revealed until later, when his quality is tested.
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A personality contrast is one of the best and most frequently used ways of making a character rise memorably to the spotlight. Flawed but likeable!
Readers go crazy for a rough and raw, imperfect hero with more baggage of the emotional kind than a pampered socialite. One way to develop a main character is by introducing another main, secondary or minor character love interest, family member, friend or villain who either enhances or contrasts his personality. The street-smart guy with the 4. The happily married accountant with 2. This item may be a floor model or store return that has been used. See details for description of any imperfections.
Skip to main content. Ballon , Hardcover Be the first to write a review. About this product. Make an offer:.
Blueprint for Writing: A Writer's Guide to Creativity Craft & Career
Pre-owned: lowest price The lowest-priced item that has been used or worn previously. A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions.
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